| The Metamorphosis of Pigmalion's Image By John Marston
THE ARGUMENT OF THE POEM.
IGMALION, whose chast mind all the beauties in Cyprus could not ensnare, yet, at the length having carved in ivorie an excellent proportion of a beauteous woman, was so deeplie enamored on his owne workman- ship that he would oftentimes lay the image in bedde with him, and fondlie use such petitions and dalliance as if it had been a breathing creature. But in the end, finding his fond dotage, and yet persevering in his ardent affec- tion, made his devout prayers to Venus, that she would vouchsafe to enspire life into his love, and then joyne them both together in marriage. Whereupon, Venus graciously condiscending to his earnest sute, the mayde, (by the power of her deitie) was metamorphosed into a living woman. And after, Pigmalion (beeing in Cyprus) begat a sonne of her, which was called Paphus; whereupon that iland Cyprus, in honor of Venus, was after, and is now, called by the inhabitants, Paphos.
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Source: The Works of John Marston, Vol. III. J. O. Halliwell [Halliwell-Phillips], ed. London: John Russell Smith, 1856. 201.
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