William Collins

Battoni (1708-1787). Euterpe and Urania.
Battoni (1708-1787). Euterpe and Urania.


            WHEN Music, heavenly maid, was young,
            While yet in early Greece she sung,
            The Passions oft, to hear her shell,
            Throng'd around her magic cell,
            Exulting, trembling, raging, fainting,
            Possest beyond the Muse's painting;
            By turns they felt the glowing mind
            Disturb'd, delighted, rais'd, refin'd;
            Till once, 'tis said, when all were fir'd,
            Fill'd with fury, rapt, inspir'd,
            From the supporting myrtles round
            They snatch'd her instruments of sound;
            And, as they oft had heard apart
            Sweet lessons of her forceful art,
            Each (for Madness rul'd the hour)
            Would prove his own expressive power.

First Fear his hand, its skill to try,
      Amid the chords bewilder'd laid,
And back recoil'd, he knew not why,
      E'en at the sound himself had made.

Next Anger rush'd: his eyes on fire,
      In lightnings, own'd his secret stings:
In one rude clash he struck the lyre,
      And swept with hurried hand the strings.

With woful measures wan Despair
Low sullen sounds his grief beguiled;
A solemn, strange, and mingled air,
'Twas sad by fits, by starts 'twas wild.

But thou, O Hope, with eyes so fair,
      What was thy delighted measure?
Still it whisper'd promis'd pleasure,
      And bade the lovely scenes at distance hail!
Still would her touch the strain prolong;
      And from the rocks, the woods, the vale,
She call'd on Echo still, through all the song;
      And, where her sweetest theme she chose,
      A soft responsive voice was heard at every close;
And Hope enchanted smil'd, and wav'd her golden hair
And longer had she sung;—but, with a frown,

            Revenge impatient rose:
He threw his blood-stain'd sword, in thunder, down:
            And, with a with'ring look,
      The war-denouncing trumpet took,
And blew a blast so loud and dread,
Were ne'er prophetic sounds so full of wo!
            And ever and anon, he beat
            The doubling drum with furious heat;
And, though sometimes, each dreary pause between,
            Dejected Pity, at his side,
            Her soul-subduing voice applied,
      Yet still he kept his wild unalter'd mien,
While each strain'd ball of sight seem'd bursting from his head.

Thy numbers, Jealousy, to nought were fix'd;
            Sad proof of thy distressful state!
Of diff'ring themes the veering song was mix'd;
      And now it courted Love, now raving call'd on Hate.

            With eyes up-rais'd, as one inspir'd,
            Pale Melancholy sat retir'd;
            And, from her wild sequester'd seat,
            In notes by distance made more sweet,
Pour'd through the mellow horn her pensive soul:
            And, dashing soft from rocks around,
            Bubbling runnels join'd the sound;
Through glades and glooms the mingled measure stole,
      Or o'er some haunted stream, with fond delay,
            Round an holy calm diffusing,
            Love of peace, and lonely musing,
In hollow murmurs died away.

But O! how alter'd was its sprightlier tone
When Cheerfulness, a nymph of healthiest hue,
      Her bow across her shoulder flung,
      Her buskins gemm'd with morning dew,
Blew an inspiring air, that dale and thïcket rung,
      The hunter's call, to Faun and Dryad known.
The oak-crown'd Sisters, and their chaste-ey'd Queen,
      Satyrs and Sylvan boys were seen,
      Peeping from forth their alleys green:
Brown Exercise rejoic'd to hear;
      And Sport leapt up, and seized his beechen spear.

Last came Joy's ecstatic trial;
He, with viny crown advancing,
      First to the lively pipes his hands addrest;
But soon he saw the brisk awak'ning viol,
      Whose sweet entrancing voice he lov'd the best:
They would have thought who heard the strain
      They saw, in Tempe's vale, her native maids,
      Amidst the festal sounding shades,
To some unwearied minstrel dancing,
While, as his flying fingers kiss'd the strings,
      Love fram'd with Mirth a gay fantastic round:
      Loose were her tresses seen, her zone unbound;
            And he, amidst his frolic play,
            As if he would the charming air repay,
Shook thousand odours from his dewy wings.

            O Music! sphere-descended maid,
            Friend of Pleasure, Wisdom's aid!
            Why, goddess! why, to us denied,
            Lay'st thou thy ancient lyre aside?
            As, in that lov'd Athenian bower,
            You learn'd an all-commanding power,
            Thy mimic soul, O Nymph endear'd,
            Can well recall what then it heard.
            Where is thy native simple heart,
            Devote to Virtue, Fancy, Art?
            Arise, as in that elder time,
            Warm, energic, chaste, sublime!
            Thy wonders, in that godlike age,
            Fill thy recording Sister's page—
            'Tis said, and I believe the tale,
            Thy humblest reed could more prevail,
            Had more of strength, diviner rage,
            Than all which charms this laggard age;
            E'en all at once together found,
            Cecilia's mingled world of sound—
            O bid our vain endeavours cease;
            Revive the just designs of Greece:
            Return in all thy simple state!
            Confirm the tales her sons relate!












The Poetical Works of William Collins.
Dr. J. Langhorne, ed.
New York: Leavitt, Trow & Co., 1848. 74-78.

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