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Renaissance Essays: John Lyly
These essays are not intended to replace library research. They are here to
show you what others think about a given subject, and to perhaps spark an
interest or an idea in you. To take one of these essays, copy it, and to pass
it off as your own is known as plagiarism—academic dishonesty which will
result (in every university I've heard tell of) in suspension or dismissal from
the university. Not only are your professors as technology savvy as you are,
they will not tolerate theft of another's intellectual efforts.
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John Lyly and the Uses of Irony - Maurice Yacowar
The Art of Dissembling in Three Elizabethan Writers: Lyly, Greene, and Shakespeare - Ayako Kawanami
Ecologies of Thought in Early Modern English Drama - Andrew J. Bozio
Performing the Audience: Constructing Playgoing in Early Modern Drama - Eric Dunnum
Authors, Audiences, and Elizabethan Prologics - Jacob A. Heil
Characterization and Structure in the Development of Tudor Comedy - Julia Matthews
Reinventing Mastery: Training and Mutuality on the Early Modern English Stage - Elizabeth Mathie
Erotic Language as Dramatic Action in Plays by Lyly and Shakespeare - Gillian Knoll
The Idea of Metamorphosis in some English Renaissance Writers - Supriya Chaudhuri
Courtship and Courtliness: Studies in Elizabethan Courtly Language and Literature - Catherine Bates
Reading Witches, Reading Women: Late Tudor and Early Stuart Texts - Jennifer A. McGowan
The Concept of Revenge for Honour in English Fiction and Drama
between 1580 and 1640 - Elizabeth M. Brennan
Language, Rhetoric, and Reality in Elizabethan Prose Fiction - Raymond A. Stephanson
The Relationship of the Dramatic works of John Lyly to
Later Elizabethan Comedies - Christopher G. Gilbert
Folk-Lore in the Dramas of Lyly, Greene, and Peele - Maria E. Herrick
The Development of Character Portrayal in the English Novel from Lyly through Defoe - Edward Kaylor
A Study of the Treatment of Time in the Plays of Lyly, Marlowe, Greene, and Peele - Mildred Fussell
The Rise and Progress of Euphuism in English Literature - Thomas A. Baggs
Children in the Dramas of John Lyly and Robert Greene - Helen M. Reed
The Treatment of Feminine Character in the Plays of Shakespeare's Predecessors,
with Special Reference to Lyly, Peele, Marlowe, and Greene - Lulu L. McCanles
Elizabethan Animal Lore and Its Sources; Spenser, Lyly and Shakespeare - Ruth E. Clark
Men Disguised as Women in Elizabethan Drama - Marion S. Karr
 Saintsbury on Lyly and Euphues
C. S. Lewis on Lyly's Euphues
Lyly's Euphues - Ernest A. Baker
G. K. Hunter on Nashe and Lyly
Ekphrasis in Tudor Drama: The Representation of Representations - Michael Hattaway
De la marge au centre: les personnages populaires des comédies de cour - F. Guinle
A New Mythological Pattern for Lyly's Gallathea: Achilles on Scyros - Mónica María Martínez Sariego
Aspects of the Syntax of Finite Complement Clauses
as Subjects
in John Lyly's Euphues: The Anatomy of Wyt - Juan Carlos García Lorenzo
Complementation in Early Modern English:
Finite Complements as Objects in Euphues - J. Carlos García Lorenzo
Nature's Bias: Renaissance Homonormativity and Elizabethan Comic Likeness - Laurie Shannon
How To Make Love to the Moon: Intimacy and Erotic Distance in John Lyly's Endymion- Gillian Knoll
'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in Lyly's Endymion - Natalia Khomenko
A Reconciliation of Conflicts: John Lyly's Endymion, The Man in the Moon - Kübra Vural
Characters and Characterization in Lyly's Endymion: The Man in the Moone - Mufeed Al-Abdullah
Desire, a Crooked Yearning, and the Plants of Endymion - Shannon Kelley
John Lyly's Gallathea: A New Rhetoric of Love for the Virgin Queen - Ellen Caldwell
"Or whatever you be": Crossdressing, Sex, and Gender Labor in John Lyly's Gallathea - Simone Chess
Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage - Phyllis Rackin
A New Mythological Pattern for John Lyly's Gallathea: Achilles on Scyros - Monica Martinez Sariego
'The Onely Way to Be Mad Is to Bee Constant': Defending Heterosexual Non-monogamy
in John Lyly's Love's Metamorphosis - James Bromley
Was Shakespeare a Euphuist? Some Ruminations on Oxford, Lyly and Shakespeare - Sky Gilbert
The Dramatic Typology of the Boy Servant in Shakespeare's The Merchant of
Venice and Twelfth Night,
Lyly's Gallathea and Marlowe's The Jew of Malta - Ellie Rycroft
The Victim of Fashion? Rereading the Biography of John Lyly - Leah Scragg
Old versus new spelling: John Lyly—a special case? - Leah Scragg
Cross-dressing and John Lyly's Gallathea - Christopher Wixson
Elizabeth I's "picture in little": Boy Company Representations of a Queen's Authority - Jeanne H. McCarthy
The Language of Framing - Rayna Kalas
John Lyly as Both Oxford's and Shakespeare's "Honest Steward" - Charles Wisner Barrell
"O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire - Annaliese Connolly
"I would faine serve": John Lyly's Career at Court - Derek B. Alwes
"Swift hart" and "soft heart": Elizabeth I and the Iconography of
Lyly’s Gallathea and Shakespeare’s A Midsummer Night’s Dream - Julia Brown
Elizabethan Court Fiction: George Gascoigne and John Lyly - Dr. Deborah Wyrick
The Healthy Body: Desire and Sustenance in John Lyly's Love's Metamorphosis - Mark Dooley 
Ovidian Retro-Metamorphosis on the Elizabethan Stage - Lindsay Ann Reid
Animalizing Women and Men in an Episode of the
Querelle des femmes: Lyly vs Jane Anger - A. Dubois-Nayt
Moral Conceptions of Sexual Love
in Elizabethan Comedy: Lyly, Greene, Shakespeare - Mary Beth Rose
 | to Anthony Munday |
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Anniina Jokinen. All Rights Reserved.
Created by Anniina Jokinen on February 8, 2007. Last updated April 19, 2025.
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Elizabethan Theatre
See section
English Renaissance Drama
Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, the earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR
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John Lyly
