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Renaissance Essays: Thomas Campion


These essays are not intended to replace library research. They are here to
show you what others think about a given subject, and to perhaps spark an
interest or an idea in you. To take one of these essays, copy it, and to pass
it off as your own is known as plagiarism—academic dishonesty which will
result (in every university I've heard tell of) in suspension or dismissal from
the university. Not only are your professors as technology savvy as you are,
they will not tolerate theft of another's intellectual efforts.

=Dissertation    =Thesis    = Undergrad Thesis =Student Essay


'Think'st thou to seduce me then?': Impersonating Female Personas
           in Songs by Thomas Campion - Katarina A. Karlsson
Toward a Theory of the Relationship Between Words and Music in Songs: Emphasis on Campion - Harvey G. Lord
Somewhat Strange: A Study of the Relationships Between Text and Music
           in English Song, 1588-1789 - Geoffrey J. M. Hutchings
Healing Music and Its Literary Representation in the Early Modern Period - Barbara C. Kennedy
Thomas Campion and the Web of Patronage - Lance A. Husoy
Toward a Revaluation of the Imagery of Thomas Campion in A Booke of Ayres - Mark P. Risinger
"A choking gall and a preserving sweet": Gender and Genre in Campion's First Booke of Ayres and
           Wilbye's First Set of English Madrigals - Annette Campbell
"The English Masque" - Felix E.Schelling
Quantitative Verse, Bookselling, and Campion's Observations in the Art of English Poesie - Barclay Green
Mathematical Musick: The Contrapuntal Formula of Dr. Thomas Campion - Jeff Lee
In the Person of Womankind: Female Persona Poems by Campion, Donne, Jonson - Pamela Coren
Singing and Silence: Female Personae in the English Ayre - Pamela Coren
Negotiating Traditions of English Song: Performance, Text, History - Bruce Horner
The Gentleman: The Songs of Thomas Campion Considered - Wilfrid Mellers
Court Masques about Stuart London - David M. Bergeron
Structure and Theme in Campion's Lords Maske - A. Leigh DeNeef
"Love's Friend and Stranger to Virginitie": The Politics of the Virginal Body
           in Ben Jonson's Hymenaei and Thomas Campion's The Lord Hay's Masque - Marie H. Loughlin
Some unobserved information about John Dowland, Thomas Campion and Philip Rosseter - Kenneth Sparr
Thomas Campion's "Chordal Counterpoint" and Tallis's Famous Forty-Part Motet - Peter N. Schubert






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Created byAnniina Jokinen on April 3, 1996. Last updated January 23, 2019.



 



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Renaissance English Writers
Bishop John Fisher
William Tyndale
Sir Thomas More
John Heywood
Thomas Sackville
Nicholas Udall
John Skelton
Sir Thomas Wyatt
Henry Howard
Hugh Latimer
Thomas Cranmer
Roger Ascham
Sir Thomas Hoby
John Foxe
George Gascoigne
John Lyly
Thomas Nashe
Sir Philip Sidney
Edmund Spenser
Richard Hooker
Robert Southwell
Robert Greene
George Peele
Thomas Kyd
Edward de Vere
Christopher Marlowe
Anthony Munday
Sir Walter Ralegh
Thomas Hariot
Thomas Campion
Mary Sidney Herbert
Sir John Davies
Samuel Daniel
Michael Drayton
Fulke Greville
Emilia Lanyer
William Shakespeare


Persons of Interest
Cardinal Thomas Wolsey
Archbishop Thomas Cranmer
Thomas Cromwell
John Fisher, Bishop of Rochester
Cardinal Lorenzo Campeggio
Cardinal Reginald Pole
Stephen Gardiner, Bishop of Winchester
William Tyndale
Pico della Mirandola
Desiderius Erasmus
Christopher Saint-German
Thomas Linacre
William Grocyn
Hugh Latimer
Elizabeth Barton, the Nun of Kent
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Historical Events
Field of the Cloth of Gold, 1520
Pilgrimage of Grace, 1536
The Babington Plot, 1586
The Spanish Armada, 1588


Government
Oath of Supremacy
The Act of Supremacy, 1534
The First Act of Succession, 1534
The Third Act of Succession, 1544
The Ten Articles, 1536
The Six Articles, 1539
The Second Statute of Repeal, 1555


Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR



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