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 By Dr. Wayne Narey, Arkansas State University  In 1600, the city of London had a population of 245,000 people, twice the size of Paris or Amsterdam.
Playwriting was the least personal form of writing, but clearly the most
profitable for literary men since the demand was so great: 15,000 people
attended the playhouses weekly. What is often exploited in the plays is the
tension between a Court culture and a commercial culture, which in turn
reflected the tension between the City government and the Crown. The period from
1576 (date of the first public theatre in London) to 1642 (date that the
Puritans closed the theatres) is unparalleled in its output and quality of
literature in English.
The monarchy rested on two claims: that it was of divine origin and that it governed by consent of the people. The period was one of great transition. This period of history is generally regarded as the English Renaissance, which took place approximately 100 years later than on the continent. The period also coincides with the Reformation, and the two eras are of course mutually related. 
Imposed upon the Elizabethans was a social hierarchy of order and degree—very much medieval concepts that existed more in form than in substance. The society of Shakespeare's time had in many ways broken free of these rigidities. It was not that people were rejecting the past; rather, a new more rigid order was replacing the old. This was set into motion during Henry VIII's reign in the 1530s when he assumed more power than had hitherto been known to the monarchy. The Act of Supremacy of 1534 gave to Henry the power of the Church as well as temporal power. By Shakespeare's time the state had asserted its right in attempting to gain authority in secular and spiritual matters alike. The so-called "Tudor myth" had sought to justify actions by the crown, and selections for the monarchy, as God-sanctioned: to thwart those decisions was to sin, because these people were selected by God. The population of the City quadrupled from Henry VIII's reign to the end of Shakespeare's life (1616), thus adding to the necessity for civil control and law. The dissolution of the monasteries had caused much civil unrest, and the dispossessed monks and nuns had been forced to enter the work force. Thus the employment, or unemployment, problem was severe. Puritanism, which first emerged early in Elizabeth's reign, was a minority force of churchmen, Members of Parliament, and others who felt that the Anglican Reformation had stopped short of its goal. Puritans used the Bible as a guide to conduct, not simply to faith, but to political and social life, and since they could read it in their own language, it took on for them a greater importance than it had ever held. They stressed particularly the idea of remembering the Sabbath day. The conflict between the Puritans and the "players" of the theatre—who performed for the larger crowds that would turn out for productions on the Sabbath—was established early.
 To cite this article: Narey, Wayne. "The Sociopolitical Climate in
English Drama: From Medieval to Renaissance The Sociopolitical Climate in Elizabethan England Elizabethan Staging Conventions Timeline of Elizabethan Playhouses and Acting Companies
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