King David in Prayer. Glasgow Hours, f. 74r. c1460.
PARAPHRASES OF THE PSALMS OF DAVID.
O Lord! upon whose will dependeth my welfare,
To call upon thy holy name, since day nor night I spare,
Grant that the just request of this repentant mind
So pierce thine ears, that in thy sight some favour it may find.
My soul is fraughted full with grief of follies past;
My restless body doth consume, and death approacheth fast:
Like them whose fatal thread, thy hand hath cut in twain;
Of whom there is no further bruit, which in their graves remain.
Oh Lord! thou hast me cast headlong, to please my foe,
Into a pit all bottomless, whereas I plain1 my woe.
The burden of thy wrath it doth me sore oppress;
And sundry storms thou hast me sent of terror and distress.
The faithful friends are fled and banished from my sight:
And such as I have held full dear, have set my friendship light.
My durance doth persuade of freedom such despair,
That by the tears that bain my breast, mine eyesight doth appair.2
Yet do I never cease thine aid for to desire,
With humble heart and stretched hands, for to appease thine ire.
Wherefore dost thou forbear in the defence of thine,
To shew such tokens of thy power in sight of Adam's line;
Whereby each feeble heart with faith might so be fed,
That in the mouth of thy elect thy mercies might be spread.
The flesh that feedeth worms cannot thy love declare!
Nor such set forth thy praise as dwell in the land of despair.
In blind indured3 hearts light of thy lively name
Cannot appear, nor cannot judge the brightness of the same.
Nor blazed may thy name be by the mouths of those
Whom death hath shut in silence, so as they may not disclose.
The lively voice of them that in thy word delight,
Must be the trump4 that must resound the glory of thy might.
Wherefore I shall not cease, in chief of my distress
To call on Thee, till that the sleep my wearied limbs oppress.
And in the morning eke when that the sleep is fled,
With floods of salt repentant tears to wash my restless bed.
Within this careful5 mind, burden'd with care and grief,
Why dost thou not appear, O Lord! that shouldst be his relief.
My wretched state behold, whom death shall straight assail;
Of one, from youth afflicted still, that never did but wail.
The dread, lo! of thine ire hath trod me under feet:
The scourges of thine angry hand hath made death seem full sweet.
Like as the roaring waves the sunken ship surround,
Great heaps of care did swallow me, and I no succour found:
For they whom no mischance could from my love divide,
Are forced, for my greater grief, from me their face to hide.
1. plain, lament.
2. appair, impair.
3. indured, hardened; stony.
4. trump, trumpet; horn.
5. careful, i.e., full of cares; worried; troubled.]
Surrey, Henry Howard, Earl of. The Poems of Henry Howard, Earl of Surrey.
London: William Pickering, 1831. 101-104.
|to Works of Henry Howard
Site copyright ©1996-2019 Anniina Jokinen. All Rights Reserved.
Created by Anniina Jokinen on September 1, 2009. Last updated January 2, 2019.
King Henry VII
Elizabeth of York
King Henry VIII
Queen Catherine of Aragon
Queen Anne Boleyn
Queen Jane Seymour
Queen Anne of Cleves
Queen Catherine Howard
Queen Katherine Parr
King Edward VI
Lady Jane Grey
Queen Mary I
Queen Elizabeth I
Renaissance English Writers
Bishop John Fisher
Sir Thomas More
Sir Thomas Wyatt
Sir Thomas Hoby
Sir Philip Sidney
Edward de Vere
Sir Walter Ralegh
Mary Sidney Herbert
Sir John Davies
Persons of Interest
Field of the Cloth of Gold, 1520
Pilgrimage of Grace, 1536
The Babington Plot, 1586
The Spanish Armada, 1588
English Renaissance Drama
Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, the earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR